Jedi: Fallen Order game review: More like, the Force goes back to sleep

  • If you do nothing but look at images of this game in action, you'll wonder why I have anything ho-hum to say. At its best, Jedi: Fallen Order is one of 2019's prettiest games. (All images in this article are captured from real-time PC gameplay.) EA / Respawn / Lucasfilm
  • Cal and BD-1 discover a long-forgotten relic of Jedi history. EA / Respawn / Lucasfilm
  • Jedi secrets await.
  • These Imperial soldiers are on the hunt for remaining Jedi.
  • Quite early on, Cal faces off against one of the game's biggest villains.
  • Hanging out.
  • Get ready to walk on thin rails in linear missions.
  • Saber-rattling.
  • The opening sequence's setpieces are something to behold.
  • By the end of the game, however, environments are sometimes more generic and low-poly. This forest, in particular, can look a bit crummy, depending on the area and camera angle.
  • I accidentally had the gamma setting too low here, but I still enjoy the dramatic lighting and staging of this "run across a moving train" sequence.
  • "Let's shake things up a bit. I am going to say something, and this time, don't respond with bleeps and bloops."
  • "…Blaap?"
  • Sadly, there's no music mini-game to be found.

Game Details

Developer: Respawn
Publisher: EA
Platform: Windows PC (reviewed), Xbox One, PS4
Release Date: November 15. 2019
Price: $60
ESRB Rating: T for Teen
Links: Amazon US | Steam | Origin | Official websiteYears after EA paid ridiculously for the rights to Star Wars's gaming universe, the game publisher has finally arrived with what fans wanted from it in the first place: a solid single-player adventure. Low as that bar might be, that's the archetype that the most beloved '80s and '90s Star Wars fare delivered on, and it's the kind of experience we haven't seen for nearly a decade.

Really, 2010's Star Wars: The Force Unleashed II is an appropriate reference point as we peel back the EA-ization of Star Wars games—from MMO-related bloat to cancellations to loot boxes—and dive into Star Wars Jedi: Fallen Order. Respawn Entertainment's new game, out now on PCs and consoles, pits you (and a suite of Force powers) against armies of AI-controlled foes. Sounds familiar, right? And is that a good thing?

After playing its 12-hour campaign, I can only muster a shoulder shrug as a response. I guess. Sure. If you want.

That's not to say Fallen Order isn't polished or, at times, quite impressive. But it's also a painfully safe game, built to check a list of "hardcore gamer" boxes instead of forging particularly new paths for the Jedi power fantasy. Respawn was given the unenviable task of winning back some of the most opinionated fans in the world, and the developer charted a tried-and-true course of doing so: a third-person adventure that combines lightsaber waving and a healthy mix of Force superpowers. (You know, like Force Unleashed II.)

Because it hews to a safe archetype, Jedi: Fallen Order may not earn much patience from players for its issues and slip-ups. Every time the game's dialogue turns hackneyed, that stands out in an otherwise fine-if-rote Star Wars adventure. Every time combat glitches on a bad hitbox or polygon collision, that stands out among otherwise been-there-slashed-that combat. And every time a level suffers from a back-and-forth retread or an unsatisfying puzzle, that stands out from a bunch of levels that borrow liberally from games we've played before: Uncharted, Metroid Prime, and Dark Souls.

Worst of all, Fallen Order's brief campaign doesn't land in short-and-sweet territory. Just short.

Is that a lightsaber in your pocket, or…

We begin in the shoes of Cal Kestis, a young-and-plucky mechanic working on an ornate Empire outpost. We meet him after the events of the film series' Episode III, and we hear banter about the great Jedi Purge while Cal jumps, scampers, and wall-climbs his way to fix a particularly broken machine at his workplace. It's a tough job, he's warned, but he makes quick-if-dramatic work of it.

Unfortunately, this sequence turns deadly, which forces Cal to reveal the secret he's been harboring amongst the Empire's faithful for years: he's a Jedi, and a trained one at that. How was he not sniffed out all this time? How was he hiding a lightsaber in his pocket for so long? And how come a Resistance crew happens upon his location, there to save him, the moment his lightsaber is belatedly discovered by troopers? The abruptness of his identity's reveal is a bit patchy in the logic department, and it sets a tone for too many wait-hold-on jumps in logic or abrupt fast-forwards in the plot's timeline.

Cal's rescue comes with a catch: the human soldier Cere wants to reboot the Jedi Order, and she has a few vague clues to uncovering other Jedi who survived and escaped the Purge. She needs a true Jedi's help to unlock their meaning and move forward. Help her, Cal Kestis. You're her only hope.

You do so by following the Force Unleashed series' archetype of lightsaber combat and force tactics, as mashed up with the outdoor-world traversal of Uncharted, the get-powers-and-backtrack formula of Metroid, and some Dark Souls-inspired combat tweaks. It's sometimes easy to ignore the failings of this game-inspiration mash-up, seeing as how each major landscape, tomb, catacomb, fortress, prison, and crash site looks so danged good.

  • Cal will need to remember all of his lost Jedi training before he can expect to defeat the Second Sister.
  • Spend experience points to progress through the game's skill-tree system. Many of these slots won't open up until you flash back in time and remember Cal's Jedi training sequences. EA / Respawn / Lucasfilm
  • Cal walks through a flashback to remember crucial lessons from his past.
  • Once you unlock the Force push ability, you can send back attacks like this rocket launcher's blasts.
  • Yeah, the explosion is much better over there.
  • Need to get through a dark passageway?
  • Hold down the "block" button outside of combat, and it turns your lightsaber into a flashlight. EA / Respawn / Lucasfilm
  • It's hard to capture in a screenshot, but here, Cal uses the controller's dedicated "reflect" button to send a droid's photon blast back in explosive fashion.
  • In order to board this AT-AT, you'll need to swim to it first.
  • Shadow of the Colossus? More like Shadow of the Empire, amirite?
  • If Cal stands high enough above a foe and jumps towards it, sometimes a button icon will appear, indicating that you can pull off an insta-kill swipe of your lightsaber as you land.
  • Dramatic ship take-off moment.
  • This underground crypt becomes ground central for a surprisingly solid puzzle that involves rolling massive orbs around the floor and toggling strong gusts of wind.
  • Rogue One character Saw Gerrera makes an appearance, and yes, he's voiced by Forest Whitaker.
  • Much of the time, the game's use of Unreal Engine 4 looks quite solid. But occasionally, animations will fall into weird territory, like this cocked-head issue when Cal speaks to NPCs.
  • These Wookiees look a little more awkward when they move around, thanks to odd fur physics.

Respawn was freed from the usual EA restriction of making 3D games out of the Frostbite Engine (developed primarily by EA subsidiary DICE), and its pivot to Unreal Engine 4 has paid off in terms of massive, architecturally rich, and foliage-filled environs. Volumetric light shafts cut through dramatically lit skies and bounce realistic, material-based lighting off every surface. Cal's lightsaber glows impressively in dark chambers and caves, whether held at his side or aloft as a makeshift torch. And massive structures tower in the distance of every new planet, served on a platter of impressive draw distances as a preview of Cal's next adventuring destination.

An Uncharted climb through charted territory

That visual bounty carries Jedi: Fallen Order's opening hours impressively. Once that sheen faded, however, my patience with the gameplay's fumbles dwindled quickly—a fact that wasn't helped when the visuals in later levels began to suffer from serious copy-and-paste syndrome. One forest moment, in particular, saw my character soar above a tree-filled world, but the vast view from above suffered from minimal geometry, badly baked geometry, and a derpy, super-sized companion that showed up in that moment.

In terms of failings, let's start with the new game's Uncharted inspirations. Do you like climbing on clearly marked walls of moss or girded metal? J:FO has these in spades, and on a rare occasion, these moments are delightful—like when you have to board an AT-AT and must climb the grassy patches on its legs and torso as it marches in formation through murky waters toward a combat zone. But most of the time, these moments feel like overlong padding, and they miss the point of Uncharted's climbing sections. In J:FO, there's no dramatic pulling-back of the camera while climbing to set any cinematic scope of a new zone or tomb. You're zoomed on Cal's butt, following automatic climbing lines. Meh.

More critically, J:FO breaks up its combat sections with a few Uncharted-esque puzzle sections, which usually revolve around triggering or moving the right objects in the right order. The first significant puzzle requires moving giant orbs with your force powers and triggering gusts of wind to shoot them to the correct puzzle-solving locations. Its careful balance between tricky challenge and clear progress got my hopes up for more clever puzzle coolness to come.

But there really aren't many of these puzzles here, and the others either play out too automatically or come with agonizingly unclear solutions. I lost nearly an hour to one puzzle because the game's "clue" button kept dispensing advice that relied on terminology I'd never heard before and wasn't in the game's pause-screen glossary. I eventually came up with a solution that in no way resembled the spoken advice I was given. I'm still not sure whether I solved that puzzle as Respawn intended.

Combat has Souls, not soul

Then there's combat, which only comes in two flavors: wimpy peons, or Dark Souls-caliber death traps. With the former, you can ignore most of your cool Force powers and mash the "quick slice" button to mow down waves of foes. Once you unlock the Force-push move, you'll appreciate how often the game's basic enemies stand near ledges; the modeling of their "AAHHHHhhhh…" yelps never gets old. But generally, you can ignore most of your useful Force powers in these cases—especially because the game is painfully stingy about letting you use them.

Every time you activate any Force-related power, you drain a huge percentage of Cal's "Force meter." Even the prototypical "strong attack" for your lightsaber requires the Force. Use one time-dilation, one Force-pull, and one strong attack, and… that's it for at least 10 seconds. Your Force meter is toast. This issue persists throughout the campaign, even as you dump level-up stats into options like a Force meter upgrade. Battling the game's wimpy peons could've been more fun if Respawn had been more generous with Force powers or the meter's recharge. Instead, the constant nag of a "meter's empty" notice aggravated me so much that I redirected my fanboy energy to just tapping the "quick attack" lightsaber button.

The tougher fights exacerbate this annoyance. Most of your coolest Force powers are worthless against big-league foes, who are identified by a different on-screen interface when they appear. They ignore your temporary time-freeze and your Force-push powers, and that means you're redRead More – Source